Midwayfair Ge Transistor post on madbean

I found this post to be informative and wanted to archive it. It’s  no surprise that Jon gave a great answer. He has a great way explaining things.

Original Post

Being “most desirable ones” has very little to do with whether the transistors will be “the most useful ones.” Look up the polarity and the gain range. Otherwise, just test a couple transistors out of each bag if you have a DMM that does that; if the gain is really low, like under 40, there are very few guitar pedals that will even work with them.

Your best bet for figuring out what the mot valuable part number is is to look at the schematics for a bunch of old fuzz pedals and then write down the part number. Not the series (like “OC”), but the specific part number. Then look up the equivalent transistor from other companies. New Market, for instance, is a brand name, but the same transistor construction as in the 213 and 275, which are very valuable, have different part numbers by RCA or Telefunken, for instance.

Here are the most useful “numbers”:

PNP 40-80: Q1 in classic Fuzz Face
PNP 80-130: Q2 in classic Fuzz Face and Q3 in a MKII, Three-knob bender, or Buzzaround
NPN 40-50: Q1 in a low-gain NPN fuzz face
NPN 60-70: Q2 in a low-gain NPN fuzz face
PNP 40-60: Q1 in a Percollator
PNP 20-40: Q1 and Q2 in Tonebender MKII, but requires moderate leakage
PNP 70-80: classic Rangemaster, requires low leakage; Skreddy Screwdriver if moderate or high leakage

Distortion Pedal Genealogy

This was a cool post by garrobos on FSB

Distortion Pedal Genealogy

Fuzz Family
Circuit type: discrete transistor gain stages.
Original design: 1962 Gibson Maestro Fuzz Tone.
Influential derivatives: 1965 Sola Sound ToneBender, 1966 Dallas Arbiter Fuzz Face.

Muff Family
Circuit type: discrete transistor gain stages with limiting diodes.
Original design: 1969 Electro Harmonix Big Muff Pi.
Influential derivatives: 1974 Maxon D&S, 1974 Ibanez Overdrive.

Distortion Family
Circuit type: op amp gain with hard clipping diodes to ground.
Original design: 1973 MXR Distortion plus.
Influential derivatives: 1978 Boss Distortion, 1978 Pro Co Rat.

Overdrive Family
Circuit type: op amp gain with soft clipping diodes in op amp loop.
Original design: 1974 Maxon OD808.
Influential derivatives: 1977 Boss Overdrive, 1979 Ibanez Tube Screamer.

Tube Family
Circuit type: tube gain.
Original design: 1978 Butler Audio Tube Driver.
Influential derivatives: Chandler Tube Driver, Tube Works Tube Driver.

From 1978 to date, the contribution in the development of distortion pedal circuits has been iterative.

First Mouser order : Updated

I placed my first Mouser order on Sunday November 3rd. I used the shipping option of USPS just to see how long it will take to get to me. I received a shipping notice on Monday November the 4th. So buy the fact that my order was processed and sent out in 1 day has already impressed me.

I hope to use Mouser for the parts I can not get from Tayda Electronics

Order Revived: November 7th

I am very happy with the transaction and will definitely order from them again. Standard USPS only took 3 days so my next transaction I will try their FedEX service and see if its any faster.

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Black Arts LSTR

-This is unverified – Hope to verify it this weekend.

There are some hard working people at Madbean forum that have been working on a great spreadsheet with a bunch of Big Muff variants on it. I wanted to contribute is some way and I found that no one has picked apart the LSTR for the list.

There was a schematic that was posted in FSB forums.

Mark over at Tagboard Effects made a vero layout for it.

Since we at the Madbean forums use the Mudbunny PCB as a primer, I have matched the parts from both the FSB schematic and the Mudbunny and this is what I came up with.

Madbean Mudbunny Build Doc

This is the BOM for the Black Arts LSTR built on a Mudbunny PCB.

Resistors Capacitors Diodes
R1 1M C1 100n D1 – D4 1N914
R2 39K C2 560p D5 1N4001
R3 100K C3 100n
R4 470K C4 100n Transistors
R5 100R C5 560p Q1-Q4 MPSA12
R6 15K C6 100n
R7 1K C7 100n Pots
R8 15K C8 560p SUS 100KA
R9 100K C9 100n TONE 250KB
R10 470K C10 1n MID 50KB
R11 100R C11 10n VOL 100KA
R12 15K C12 100n
R13 15K C13 100n
R14 100K C14 100uF
R15 470K C15 100n
R16 100R
R17 15K
R18 68K
R19 MID POT
R20 470K
R21 100K
R22 15K
R23 1K2
R24 100R

Excel Spreadsheet in juansolo’s format

Update: populated the Mudbunny this weekend but I need to do the off board wiring. I hope to work on this tonight.

Updated:

Populated

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Black Arts Toneworks Pedals

black-arts-toneworks-pedals

I am a fan of their pedals and wanted to make a quick list of what their pedals are based on. I am still researching some of these to see what makes them tick. I will update this post when I find more information.

  • Dark Forest – Colorsound Overdriver
  • Quantum Mystic – Ross Grey Distortion
  • Destroyer – Ritual and an Oath in one box
  • Pharaoh – Electro-Harmonix Big Muff Pi
  • Ritual – Colorsound One knob Fuzz
  • Oath – Revelation Superbass version (No Knobs)
  • Coven – Pharaoh and an Dark Forest in one box
  • Revelation –
  • LSTR – Electro-Harmonix Big Muff Pi
  • Fnord – Ampeg Scrambler and Electro-Harmonix Muff Fuzz
  • Sarcophagus – Pharaoh and an LSTER in one box with change order switch
  • SHOD –
  • Badascan – Moded Pharaoh for the Doom Room

Strymon Timeline MIDI controller

Looking at making a MIDI controller for my Timeline and wanted to look at a few options. First off the retail units I have been reading about.

Tech 21 MIDI Mouse
Disaster Area MMC-3
PedalSync OZ

I am really wanting to take advantage of the Full/Half speed toggle and the reverse and Undo functions. To start out I will most likely look at doing a 3 footswitch box just for those functions until I can learn more about how to have mode switching like the Disaster Area units have.

Strymon Timeline MIDI implementation chart for looping functions:

You can set up your MIDI controller with either MIDI CC (continuous controller), or MIDI note numbers.

MIDI CC values:

  • Record – CC# 87, any value
  • Play – CC# 86, any value
  • Stop – CC# 85, any value
  • Reverse (toggle) – CC# 94, any value
  • Full/Half Speed (toggle) – CC# 95, any value
  • Pre/Post (toggle) – CC# 96, any value
  • Undo (to initial loop) – CC# 89, any value
  • Redo – CC# 90, any value
  • Looper Level – CC# 90, value range 0-17

Note values:

  • Record – note 0, velocity > 0
  • Play – note 2, velocity > 0
  • Stop – note 4, velocity > 0
  • Reverse (toggle) – note 14, velocity > 0
  • Full/Half Speed (toggle) – note 16, velocity > 0
  • Pre/Post (toggle) – note 17, velocity > 0
  • Undo (to initial loop) – note 7, velocity > 0
  • Redo – note 9, velocity > 0

I was thinking about doing a Arduino project but figured it would be to bulky and to much unneeded overhead. I think a basic PIC with a small program to translate the MIDI values will be my best option.

More to come…

Black arts Toneworks Pharaoh clone

I used a Madbean Mudbunny as a base PCB for this great big muff pi variant. This thing just screams “stoner rock” at its finest. I am really starting to like the diode switch set to no diodes, it sounds so harsh.. in a good way. The High/Low input switch I found pretty useless in my situation since the high setting always sounded better to my ears. I will need to see what the real purpose of this switch is.. I might not understand its usage clearly.

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Unicord Superfuzz

Finally.. FINALLY.. I got a working layout. I had so many problems getting this to work and come to find out I had an old layout that had errors. Thanks to the guys at DIYSB they help to point me in the right direction. Now that its done I simply love this fuzz, it is my 2nd favorite fuzz with the v4 Big Muff OpAmp fuzz. This pedal nails that harsh fuzz that I was craving.

Here is the layout I used

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I am a bit sad since I got this all put together and I dropped a screw driver on it and chipped the paint right next to the SPDT switch.

Modded Germanium Fuzz Face

I was looking for a Fuzz Face that got some of the low end like the Ox Fuzz and as much control as I can get out of it. I came across a layout by Ataraxia Engineering called the 4-Knob Fuzz Face. Its a basic Fuzz Face layout with a charge pump to make it a negative ground pedal. This pedal has a few of the more “well known” mods.

Here is the layout I used

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Looks like the ground pour got the best of me with my solder. No biggie.. it sounds great.